Girl Among Crows
by Brendon Vayo
October 30 – November 24, 2023 Virtual Book Tour
Synopsis:

Beware the Brotherhood of the Raven
When two boys vanish from her hometown, Daphne Gauge notices uncanny parallels to her brotherโs disappearance 30 years earlier. Symbols of an ancient Norse god. Rumors of a promise to reward the townโs faithful with wealth and power, for a price. She warns her husband that another sacrifice is imminent, but just like last time, no one believes her.
This leaves her with a desperate choice: investigate with limited resources, or give in to the FBIโs request for an interview. For years, theyโve wanted a member of the Gauge family to go on record about the tragedy back in 1988. If she agrees to a deposition now, Daphne must confess her familyโs dark secrets. But she also might have one last chance to unmask the killer from back then . . . and now.
For readers who enjoy Stephen King, Gillian Flynn, Joshilyn Jackson, Riley Sager, Jennifer McMahon, and Simone St. James.
Praise for Girl Among Crows:
“Brendon Vayo has crafted a pagan potboiler that is equal parts mystical and mysterious, profane and profound, blissfully existing at the intersection of horror and whodunnits.”
~ Clay McLeod Chapman, author of Ghost Eaters
“Fans of Gillian Flynn will love Girl Among Crows . . . Brendon Vayoโs debut thriller is eerie, mysterious, and addicting.”
~ Brooke L. French, author of Inhuman Acts and The Carolina Variant
“Brendon Vayoโs Girl Among Crows is an eerie page turner rich with Norse Mythology, cult rituals, and creepy twists to rival Stephen King, Shirley Jackson and Stephen Graham Jones.”
~ MQ Webb, author of When Youโre Dying and How to Spot a Psychopath
“This fresh, artful thriller, as genuinely frightening a novel as youโll read all year, darts smoothly between the decades as not one but two mysteries unfurl like stairways into darkness. Intelligent, original, audaciousโand scary”
~ A.J. Finn, #1 New York Times bestselling author of The Woman in the Window
Book Details:
Genre: Horror
Published by: CamCat Books
Publication Date: November 2023
Number of Pages: 416
ISBN: 9780744306552 (ISBN10: 0744306558)
Book Links: Amazon | Barnes & Noble | BookShop.org | Goodreads | CamCat Books
Read an excerpt:
My husband Karl shakes hands with other doctors, a carousel of orthopedic surgeons in cummerbunds. I read his lips over the brass band: Howโs the champagne, Ed? Since he grayed, Karl wears a light beard that, for the convention, he trimmed to nothing.
The ballroom they rented has long windows that run along Bostonโs waterfront. Sapphire table settings burn in their reflections.
The food looks delicious. Rainbows of heirloom carrots. Vermont white cheddar in the macaroni. Some compliment the main course, baked cod drizzled with olive oil. My eyes are on the chocolate cherries. Unless Karl is right, and theyโre soaked in brandy.
At some dramatic point in the evening, balloons will drop from nets. A banner sags, prematurely revealing its last line.
CELEBRATING THIRTY YEARS!
Thirty years. How nice, though I try not to think that far back.
I miss something, another joke.
Everyoneโs covering merlot-soaked teeth, and I wonder if theyโre laughing at me. Is it my dress? I didnโt know if I should wear white like the other wives.
I redirect the conversation from my choice of a navy-blue one-shoulder, which I now see leaves me exposed, and ask so many questions about the latest in joint repair that I get lightheaded.
The chandelier spins. Double zeroes hit the roulette table. A break watching the ocean, then Iโm back, resuming my duties as a spouse, suppressing a yawn for an older man my husband desperately wants to impress. A board member who could recommend Karl as the next director of clinical apps.
Iโm thinking about moving up, our careers. Iโm not thinking dark thoughts like people are laughing or staring at me. Not even when someone taps me on the shoulder.
โAre you Daphne?โ asks a young man. A member of the wait staff. No one should know me here; Iโm an ornament. Yet somethingโs familiar about the young manโs blue eyes. Heat trickles down my neck as I try to name the sensation in my stomach.
โAnd you are?โ I say.
โGerard,โ he says. The glasses on his platter sway with caffeinated amber. โGerard Gedney. You remember?โ
I gag on my ginger ale.
โMy gosh, I do,โ I say. โGerard. Wow.โ
Thirty years ago, when this convention was still in its planning stages, Gerard Gedney was the little boy who had to stay in his room for almost his entire childhood. Beginning of every school year, each class made Get Well Soon cards and mailed them to his house.
We moved before I knew what happened to Gerard, but with everything else, I never thought of him until now. All the growing up he mustโve done, despite the odds, and now at least he got out, got away.
โI beat the leukemia,โ he says.
โIโm so glad for you, Gerard.โ
If thatโs the appropriate response. The awkwardness that defined my childhood creeps over me. Of all the people to bump into, it has to be David Gedneyโs brother. David, the Boy Never Found.
My eyes jump from Gerard to the other wait staff. They wear pleated dress pants. Gerardโs in a T-shirt, bowtie, and black jeans.
โI donโt really work here, Daphne,โ says Gerard, sliding the platter onto a table. โIโve been looking for you for a while.โ
The centerpiece topples. Glass shatters. An old woman holds her throat.
โGerard,โ I say, my knees weak, โI understand youโre upset about David. Can we please not do this here?โ
Gerard wouldnโt be the first to unload on what awful people we were. But to hear family gossip aired tonight, in front of my husband and his colleagues? I canโt even imagine what Karl would think.
โIโm not here about my brother,โ says Gerard. โIโm here about yours.โ His words twist.
โPaul,โ I say. โWhat about him?โ
โIโm so sorry,โ says a waiter, bumping me. Another kneels to pick up green chunks of the vase. When I find Gerard again, heโs at the service exit, waiting for me to follow.
Before I do, I take one last look at the distinguished men and a few women. The shoulder claps. The dancing. Karl wants to be in that cliqueโI mean, I want that too. For him, I want it.
But I realize something else. Theyโre having a good time in a way I never could, even if I were able to let go of the memory of my brother, Paul.
The catering service has two vans in the alleyway. Itโs a tunnel that feeds into the Boston skyline, the Prudential Center its shining peak.
Gerard beckons me to duck behind a stinky dumpster. Rain drizzles on cardboard boxes.
I never knew Gerard as a man. Maybe he has a knife or wants to strangle me, and all this news about my brother was bait to lure me out here. Iโm vulnerable in high heels. But Gerard doesnโt pull a weapon.
He pulls out a postcard, its edges dusty with a white powder I canโt identify. The image is of three black crows inscribed on a glowing full moon.
โI found it in Dadโs things,โ says Gerard. โPlease take it. Look, David is gone. Weโve got to live with the messes our parents made. Mine sacrificed a lot for my treatment, but had they moved to Boston, I probably wouldโve beat the cancer in months instead of years.โ
โAnd this is about Paul?โ I say.
โWhen the chemo was at its worst,โ says Gerard, โI dreamed about a boy, my older self, telling me I would survive.โ
I take my eyes off Gerard long enough to read the back of the postcard:
$ from Crusher. Keep yourself pure, Brother. For the sake of our children, the Door must remain open.
Crusher. Brother. Door. No salutation or signature, no return address. Other than Crusher, no names of any kind. The words run together with Gerardโs take on how treatment changed his perspective.
Something presses my stomach again. Dread. Soon as I saw this young man, I knew he was an omen of something. And when is an omen good?
โYour dad had this,โ I say. โDid he say why? Or who sent it?โ
An angry look crosses Gerardโs face. โMy dadโs dead,โ he says. โSoโs Brother Dominic. Liver cancer stage 4B on Christmas Day. Whatโd they do to deserve that, huh?โ
โThey both died on Christmas? Gerard, Iโm so sorry.โ First David, now his dad and Dominic? He stiffens when I reach for him, and, of course, Iโm the last person he wants to comfort him. โI know how hard it is. I lost my mom, as you know, and my dad ten years ago.โ
The day Dad died, I thought Iโd never get off the floor. I cried so hard I threw up, right in the kitchen. Karl was there, my future husband, visiting on the weekend from his residency. I didnโt even think we were serious, but there he was, talking me through it, the words lost now, but not the comfort of his voice.
I looked in his eyes, daring to hope that with this man I wouldnโt pass on to my children what Mom passed down to me.
โMomโs half-there most days,โ says Gerard. โBut one thing.โ
The rear entrance bangs open, spewing orange light. Two men dump oily garbage, chatting in Spanish.
โCheck the postmark, Daphne,โ says Gerard at the end of the alleyway. He was right beside me. Now itโs a black bird sidestepping on the dumpster, its talons clacking, wanting me to feed it. I flinch and catch Gerard shrugging under the icy rain before he disappears.
The postmark is from Los Angeles, sent October last year. Six months ago, George Gedney received this postcard. Two months later, heโs dead, and so is another son.
What does that mean? How does it fit in with Paul?
Though heโs gone, I keep calling for Gerard, my voice strangled. Someone has me by the elbow, my husband. Even in lifts, Karlโs three inches shorter than me.
โDaphne, what is it? Whatโs wrong?โ
โColquitt. I need Sheriff Colquitt or . . .โ Voices argue in my head, and I nod at the hail swirling past yellow streetlamps. โThirty years ago, Bixbee was a young man. He might still be alive.โ
โDaphne, did that man hurt you? Hey.โ
Karl demands that someone call the police, but I shake him.
โItโs fine, Karl,โ I say, dialing Berkshire County Sheriff โs Office. โGerardโs a boy I knew from my hometown.โ
Karlโs calling someone too. โSome coincidence,โ he says.
Though it wasnโt. Here I am trying not to think about the past, and it comes back to slap me in the face as though I summoned it. Paul. The little brother I vowed to protect.
The phone finally picks up. โBerkshire Sheriffโs Office.โ
โHello,โ I say, โcould I leave a message for Harold Bixbee to call me back as soon as possible? He is or was a deputy in your department.โ
โUh, maโam, I donโt have anyone in our personnel records who matches that name. But if itโs an emergency, Iโd be gladโโ
I hang up. Damn. I shouldโve known at nine p.m., all Iโd get is a desk sergeant. Iโd spend half the night catching him up to speed.
โDaphne.โ My husband lowers his phone, looking at me as though Iโve lost my mind. โI asked Ed to pull the hotelโs security feed. Youโre the only one on tape.โ
โWhat? No.โ
โIt shows that you walked out that door alone,โ says Karl, gesturing, โand I come out a few minutes later.โ
The Door must remain open.
Dread hardens, then the postcardโs corner jabs my thumb. Iโm about to show Karl my proof when I realize that now there are only two crows in the moon.
โHowโd he do that?โ I keep flipping it, expecting the third one to return, before I sense my husband waiting. Distantly, I hear wings flap, but it could be the rain. โGerard wanted me to have his dadโs postcard.โ
โSo this boy Gerard comes all the way from Springfield to hand you a postcard,โ Karl says. โAnd he can magically avoid cameras?โ
โIโm not from Springfield,โ I say, shaking off a chill. Magically avoid cameras. And Gerard can turn pictures of crows into real ones too. How?
โYou seem very agitated,โ says Karl. โWant me to call Dr. Russell? Unless . . .โ Karlโs listening, just not to me. โEd says the camera angles arenโt the best here. Thereโs a few blind spots.โ
โI said Iโm not from Springfield, Karl. Any more than youโre from Boston.โ
My husband nods, still wary. โBoston is more recognizable than Quincy. But how does your hometown account for why Gerard isnโt on the security footage?โ
I lick my lips, my hand hovering over Karlโs phone.
When we first met, I wanted to keep things upbeat. Me? Iโm a daddyโs girl, though (chuckling) certainly not to a fault. In the interest of a second date, I mightโve understated some things.
โHere,โ I say, โitโs more like Iโm from the Hilltowns. Itโs a remote area.โ My lips tremble, trying to force out the name of my hometown. โI was born and raised in New Minton, Karl.โ
Somewhere between Cabbage Patch Kids and stickers hidden in a cereal box, the ones Paul demanded every time we opened a new Crรธรธnchy Stars, is recognition. I can tell by the strange flicker on Karlโs face.
โThe New Minton Boys,โ he says. โAll those missing kids, the ones never found.โ Karl is stunned. โDaphne, youโre from there? Did you know those boys? God, you wouldโve been a kid yourself.โ
โI was eleven,โ I say. And I was a kid, a selfish kid. I came from a large family. Brandy was seventeen, Courtney fifteen, Ellie nine, and Paul seven.
The day before my brother disappeared, I wasnโt thinking that this night was the last time weโd all be together. I wasnโt thinking about the pain Mom and Dad would go through, especially after the town gossip began.
No. I thought my biggest problems in the world were mean schoolboys. So I ruined dinner.
โDaphne?โ Now Karl looks mad. โThatโs a big secret not to tell your husband.โ
If only he knew.
***
Excerpt from Girl Among Crows by Brendon Vayo. Copyright 2023 by Brendon Vayo. Reproduced with permission from CamCat Books. All rights reserved.
Author Bio:

Brendon Vayo was born in Okinawa, Japan, and now lives in Austin, TX. He has a wonderful wife and three children. The kids keep him awake at night, so he hopes his books do the same to you.
Catch Up With Brendon Vayo:
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Instagram – @brendonvayo
Twitter/X – @brendonvayo3
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Tour Host Info:
Book Formats: Print, Edelweiss
Hosting Options: Review, Interview, Guest Post, Showcase
Giveaway: There will be a tour-wide PICT Giveaway
More: According to the publisher Girl Among Crows does not include: Excessive Strong Language, Graphic Violence, Explicit Sexual Scenes, Rape, or other trigger situations. Generally the content is considered to be: Moderate (moderate language, moderate sexual content, high level of sexual tension & content, no more than a scene that’s graphic or explicit) content. At this time, PICT staff have not yet read this book and cannot give additional information.
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